The Outlaw Torn
MetallicaTom0
Fonte15
90 BPM
Fade-in Intro Riff
|-x-------------------------------|
|-x-------------------------------|
|-x-------------------------------|
|-x-3---3-3---3-3---3-3---3---3---|
|-x-2---2-2---2-2---2-2---2---2---|
|-x-0---0-0---0-0---0-0---0---0---|
Rake those 'mutes' over the 3rd fret and wah to create that noise on
the
record.
Main Massive Rock Riff!
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|5h7-------7-------5---7-------5---7-------5---7-------7---9-b-10----
|0-----0---0---0---0---0---0---0---0---0---0---0---0---0-------------
--------------------------------------------------------------|
--------------------------------------------------------------|
--------------------------------------------------------------|
-----------0--------0----------------------0------------------|
b-9---------------------9-b-10-b-9-------------9-b-10--9------|
------10-------10--------------------0---------------------10-|
Chords that come in occasionally . . .
|------------|
|------------|
|------------|
|7---9------X|
|5---7------X|
|0---0------X|
This is used before every verse, you need some delay to get the echo
that's
on the recording. Those mutes are just general string noise...
|------------|---------------|-------------|
|------------|---------------|-------------|
|------------|---------------|-------------|
|7---9-------|---------------|-------------|
|5---7-------|-7---9---------|-5---7-------|
|0---0-------|-5---7-------0-|-3---5-------|
This is played when Jaymz sings "You make me smash..." etc
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|5---7-------------------5---7-------------------5---7---5---7-|
|0---0---0---0---0---0---0---0---0---0---0---0---0---0---0---0-|
When the chorus is played the second time this riff is used for the
last two
repetitions . . .
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|------------------------------------------------------------------------|
|7---9-------7-----------------------------------------------------------|
|5---7-------5---7-------5-7---7-------5-7-7-7-7-------7-5-5-------5-4-4-|
|0---0-----------5---0---3/5---5---0---3/5-5-5-5---0---5\3-3---0---3\2-2-|
This the "Hear Me. If I close my mind..." bit.
Listen _very_ carefully to get the timing. This guitar part is played
quite
'loosely'.
===
Righty then. These next bits are the parts leading up to Kirk's mad
Solo
bit, to play them you'll some echo or get another guitar to play the
echoed
parts...
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-------5---7b8b7---5---7b8b7---5-----|
|-7---------------------------------7-|
|-------------------------------------|
|------------------------------------------|
|------8---10b11b10---10-----10b11b10b12---|
|9-----------------------------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|------5---7~~~----9-----------5---------|
|7~~-------------------5~~---------7~~---|
|----------------------------------------|
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|----------------7---9~--------------9---7~------------------9---7~--
|------5---5~--------------5---5~--------------3-b-5-b-3-------------
|7~~-----------------------------------------------------------------
-----------------|
-----------------|
-------------7---|
----9---10-------|
-----------------|
-----------------|
Now then, all someone has to do is work out the solo <g> . . .
This last bit is the fade-out jam bit. It's not all here cos', well
it's
_meant_ to be improvised. If I was doing this live I'd make something
up
in D Pentatonic to fit . . .
These are the main themes:
|------------------------------------|
|------------------------------------|
|------------------------------------|
|------5---7b8b7---5---7b8b7b9-------|
|7-----------------------------------|
|------------------------------------|
Main 'riff' bit . . .
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|--------------------------------------------------------5-7-----------|
|----3/5---7-------3/5---7-------3/5---7-------3/5---7---------7---5---|
|0-------------0-------------0-------------0---------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|
|--------------------------------------------------------7-9---7---7---|
|----3/5---7-------3/5---7-------3/5---7-------3/5---7-----------------|
|0-------------0-------------0-------------0---------------------------|